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Cora Breakfast and Lunch
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Abbotsford


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Acadie - Montréal


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Adelaide Centre - London


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Airdrie


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Airport & Queen - Brampton


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Alta Vista - Ottawa


Cora Breakfast and Lunch
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Ancienne-Lorette


Cora Breakfast and Lunch
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Barrie


Cora Breakfast and Lunch
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Beauport


Cora Breakfast and Lunch
ClosedCurrently closedOpens tomorrow at 06:00 (AST)

Bedford


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December 1, 2024

The morning’s sky

This morning brings a furious sky like a stormy sea or battlefield, ink blue, black lines, holes in my head and my fingers hard at work, drumming on the keyboard. The days slip between these pages filled with words that make no sense.

Through the café’s window, I observe an angel who’s busy cleaning the celestial vault. They colour the vastness of the sky with a single droplet of blue dye. It makes me forget about my dream, my age and the creaking of old bones. Starting out young and green like my favourite tree, I’ve become an ancient aspen that sometimes trembles. In the back of the lot, this majestic tree and I age together. Our spotted coat of bark is becoming more brittle, but our sap gets a bit wiser each day.

There are a million words in my knapsack that assemble into half-decent stories with each passing day. My imagination has that power. Every morning, it knits a bit of warmth for me. It remembers old victories, deserved trophies and handsome faces I should have loved.

“Writing is only possible by writing,” according to French Canadian author Robert Lalonde. All I wish for is for my mind to turn out nicely written sentences, egregious adverbs and remarkable words that link together to tell a story. I try to soothe my hesitation and fears; I’m afraid of ghosts that might refute me. This morning, the blank page before me is as vast as the Sahara Desert.

Back at my kitchen table, I smell the sweat of the wilted September flowers. My old body trembles; I curse the damned ticking of time. Will I soon see the land promised to good women? I try to put my head to sleep, but it stubbornly insists on dreaming with eyes wide open. Could Morpheus leave me behind?

After drinking a few cups of coffee to wake up, accompanied by one or two biscotti, I start to write while the clothes go around in the washing machine. Five or six times every day, I look for my magnifying glasses. Maybe they’re under a cushion, on a table buried beneath books, behind a couch or in my Mini. I’m always searching for something.

Through the row of windows in my kitchen, I watch as autumn dries to shades of brown; I feel the wind getting colder. The birds have emptied all the feeders. Will they migrate, sleep in the hollow of a tree or in the needles of pine trees? Like I do each year, I’ll throw them a real feast before winter lays its coat on the ground.

As a young girl, I remember writing in the basement, near the old washing machine. The grumpy wringer as background music and the bogeyman’s bright yellow eyes watching me through the window. I was 7 or 8 when I wrote my first poems. Dad sharpened the black lead of my pencil with his pocket knife. I wrote on the back of old calendar pages that Mom would save for me. I’d write new words and short sentences, the beginning of stories that I hid in my pillowcase.

Seated at the kitchen table made from Formica, we’d cut out our drawings and stick them on the back of pages from the calendar using cooked potato skins. In the winter, we’d skate on the ice-covered stream; my nose ran, my young years floated away.

Later, sitting at a park bench in the fall, I’d grab my blue pen and open my notebook. I’d jot down a sentence and then a second, just as wobbly as the first. With loose leaves at my feet and a few ants climbing my leg, waiting for the right word was unbearable, just like it is today.

Lost in thought at my big kitchen table, another fragment of the past appears. April 2016, Kyoto. The cherry trees are in bloom, dressed in every shade of pink and white. I visit the geishas’ quarters on foot in Gion. Their faces and necks are entirely white, their lips a deep shade of red. Their makeup is an art form; their outfits as fine as the work of the Old Masters; their smiles indelible memories...

I’m ending today’s letter with the extraordinary words of the great writer Nikos Kazantzakis in his last book “Report to Greco.”
“My entire soul is a cry, and all my work the commentary on that cry.”
I try to console this aging heart, to coax it to freely say YES!

Forced to grow up quickly, I often get the impression I’ve toiled too much. I never learned to dance or to love. Sometimes I hear my heartbeat roar like thunder. Maybe it’s a bell that’s ringing or a fire truck siren sounding, or maybe, a handsome lover falling down my chimney?

Dear readers, the sky this morning was heavy with debris and I struggled to write. Was it the raging sky? Was it me? Was it my aging heart, still determined to love?

Cora
❤️

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